About

As a little girl, Savannah built tree houses, grew vegetables, and rode her bike around the sprawling streets of suburban Brisbane, Australia. Sometime around the age of 4, a violin bit her. Whilst not fatal, the incident did leave her with a strange mark on her neck and a long-standing love of all things string. Orchestral violinist, soloist, arranger, collaborator and composer, Savannah glides between solo shows and collaboration with playwrights, musicians and film makers, carving a sound-world both informed by and in defiance of her classical training. Her scores can transform from visceral scrapings on open to strings to full scale explosive emotional moments in the blip of an eardrum.

 Savannah has released several artist projects co-composed with award winning German producer and composer, Robot Koch - ‘Particle Fields’ (placements in worldwide Sony TV ad. and multiple TV shows) and ‘Otherwhere’ - an album recorded with the Deutsches Kammmerorchester for the Neue Meister Label. She has a solo album poised for release in Summer 2026 of alt-classical pieces composed for solo violin and Ableton.

Recent projects include, collaborating with Robot Koch on the score for Filip directed by Michal Kwiecinski, the score for Death and Ramen by Tiger Ji, (starring Bobby Lee and Matt Jones), the scores for Space Womb and Waking by award winning South African director, Tristan Holmes, the score for the play, Bauer, by Lauren Gunderson, the score for Last Rememberances by director Martin Luna, Chef’s Table - composing for and assisting Emmy winner, Duncan Thum, an installation for Art Lab Berlin in collaboration with Berlin based VJ Claire Fristot, a commission by Synchromy Music for string quartet and piano, premiering March 2026.

Savannah is a graduate of both the USC screen scoring program, the 2022 Sundance Composer’s Lab and a Churchill Fellow.